ON WILLIAM BYRD'S EMENDEMUS IN MELIUS
Identifieur interne : 000700 ( Main/Exploration ); précédent : 000699; suivant : 000701ON WILLIAM BYRD'S EMENDEMUS IN MELIUS
Auteurs : Joseph KermanSource :
- The Musical Quarterly [ 0027-4631 ] ; 1963.
English descriptors
- Entity :
- pers : Alfonso Ferrabosco, Charles Burney, E. H. Fellowes, Horsley, Imogene Horsley, Journal, Kenneth Burke, L. Semitones, Li Ll, Liber Usualis, Lincoln Cathedral, Noah Greenberg, Queen Mary, Robert Parsons, Robert White, Thomas Tallis, To, Tudor Lamentations, William Byrd.
- place : London, Norwich, Palestrina, Roman.
- Teeft :
- Adiuva, Alfonso, Block chord, Byrd, Byrd work, Cadence, Cantiones sacrae, Climactic phrase, Disjoins phrase, Dominant degree, Emendemus, Final appeal, Final cadence, Final phrase, First sunday, Fittest number, Formal requirement, Friend alfonso ferrabosco, Great climax, Gregorian, Harmonic, Imitative phrase, Imitative polyphony, In voice, Last phrase, Lesser extent, Libera, Melius, Melodic, Melodic figure, Motet, Musical analysis, Musical quarterly, Octave lower, Other hand, Other voice, Plagal cadence, Quia peccavimus tibi, Regular pulse, Sacred word, Same pitch, Semitone, Soprano, Soprano melody, Thomas tallis, Tudor church music, Various phrase, William emendemus.
Url:
DOI: 10.1093/mq/XLIX.4.431
Affiliations:
Links toward previous steps (curation, corpus...)
Le document en format XML
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